How To Set Up A Neewer Microphone

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Learn how to prepare a pocket-size single microphone, 2 speaker sound reproduction organization for the all-time overall coverage and to keep feedback at a minimum

Steps

1. 1

   Install the two speakers, i on each side of the forepart of your audience. Aim the speakers so that the left speaker covers the left side of the audience and the right side speaker covers the right side of the audience. This is for mono use. If you cull stereo, you'll demand ii sound sources such as a left and right aqueduct of music. One microphone should e'er be hooked up mono.

2. ii

   Place your single cardioid microphone on its stand where you plan to place the person speaking simply never in forepart of the speakers. When you identify the microphone in front of the speakers, your chances of producing feedback (that squealing sound) are greatly enhanced. A microphone placed behind the audio arrangement has a much better chance of rejecting feedback. The cardioid microphone is another proper noun for a directional microphone. Its option upwardly design is directed away from the back of the mic and helps to reduce feedback as well. Another type of mic would be an omni which has a pickup design that'south shut to equal in front and in back of the mic. Not a good mic for preventing feedback in your arrangement.

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3. 3

   Connect the microphone cable to your mixer/preamp at input i. You may have a "line" or "mic" switch higher up the volume knob or slider. Utilize the "mic" position. The "line" position is normally used for music sources such as a CD or Cassette player. If y'all take a gain control knob, sometimes called trim) above the slider or book knob, fix information technology at halfway for at present. Information technology's a good starting signal to permit plenty signal into this input and should keep you from "overloading" the input from too much point. ( some united will accept a reddish flashing light if point is overloaded)

4. four

   Connect the preamplifier/mixer mono output to the mono input of your amplifier. If there is no mono input on your amplifier, you may employ the left channel of the amp to drive both speakers (assuming y'all accept enough power in the amp) or "Y" the Left and Right inputs to the amplifier. This means that the mono out of the preamp is "Y" continued to both left and right amplifier inputs. Ready the amplifier volume controls to minimum until we get a skillful level coming out of your preamp.

5. 5

   Connect the output channels of your amplifier to the left and right speakers. Proceed cables neat and taped down. They are easy to trip on and cause injury to someone.

6. 6

   Now that you're all connected, you can set levels. Have the mic and talk normally into it. Sentinel the meter on the preamplifier as you raise the slider (or book knob)upwards slowly. Accept your principal control set at three/4 or "7" as a adept place to begin. Enhance the input one control until y'all reach the maximum allowable setting on your meter. this would be "0" on a needle meter (VU Meter) or to the yellow light on an LED meter. If yous go into the red, lower your proceeds setting on the "input gain" knob. Your ideal setting should be with your input i slider or knob at three/iv or "7" for right mixing lath operation. Never run your input way downwardly depression and your chief way upwardly high. This will only overload your console and give you distorted audio. Your meters should "Superlative" at i or 2 or just when the first red LED lights up. When you go college, your request for distortion or that "fuzzy" sound in the speakers.

7. seven

   When yous've got your proper settings on the preamplifier, slowly plough your amplifier volume controls upwardly until a good listening volume is achieved. If your mic goes into feedback, lower the volume or move the mic further away from the speakers.

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• Question

  I accept a microphone for making videos, what practice I plug it into?

  

  It depends. If it is a USB mic, just plug it into your estimator at the USB portal. If information technology is XLR so you'll demand a microphone interface.

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• Always record your cables downwardly to prevent injury to others.

• Never place your microphone in front of the speaker line.

• Ever use a cardioid microphone for simple speech applications.

• Place someone in the audience listening area if your mixer is backstage. Get an opinion from them every bit you can't hear what the audience is hearing. Ameliorate yet, identify the mixer out in the audience area to hear exactly what they're hearing.

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• E'er make sure the amplifier volume is turned down completely earlier adding/changing/removing cables, or turning on/off the mixer pre-amp.

• Power Amplifier turns on last and turns off first.

• Don't operate in the carmine. It's not a good exercise. And it affects your overall sound quality.

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Things You'll Need

• cardioid microphone
• 2 speakers on stands
• a sound mixing board (preamplifier)
• amplifier
• interconnect cable
• tape (to keep the cords down for safety.

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